Showing posts with label Phil. Show all posts
Showing posts with label Phil. Show all posts

Friday, 6 June 2014

Mastering.

EP - 01. Beautiful Thinking (Feat. Danilo Ferreira & Arowstarh)
I was given a harder task when mastering this because this track was already mastered and limited, so I had to re-master it again.
There was a lot of bass on the kicks so I had to take some off it off by using the EQ. I took of about 52Hz, I added a high pass filter.
I then used a multiprocessor to get rid of the spikes that was on the actual audio file, the area I compressed a little was around 3.5k this helped reduced some of the area that was at 3.5k and it also reduced the spikes. However I was not able to reduce one part of the area in the track which is where Kierans was about to start rapping when he says 'thinking' and it has that 'Ck' bit but I think that is because of the reverb tail so it's supposed to be there.
Afterwards I bounced the audio file and did a before & After... As you can see... (The picture blow)
The first picture is the before and the second picture is the after.
For the final stage I then added a limiter, boosted the limiter to +9.5dB and the release time to 15.0ms.

EP - 02. Lost Love (Feat Caitlyn Scarlett)
Again this track was already limited and mastered so it was also difficult to re-master it...
However
In this track, the mix was really good however I had to make a slight adjustments. The Claps were really really really sharp and there was many spikes because of it, also the kick had many spikes too. I had to EQ and add a high past filter around 40 Hz, afterwards I Eq'ed out around 2.1k Hz which is where most of the Claps were coming from, I had to turn it down by -3.5dB. After that I added the Multi pressor, so I can just compress the high frequencies just a small amount but I mostly compressed around 2.1k Hz which helped the claps to make it less sharp. 
Here's the Before and after. 
As you can see in second photo (After photo) most of the spikes are still there, I managed to get rid of some spikes but because the claps were bright the mix it was quite difficult to make them less bright without affecting the whole track.
For the final stage I used a limiter. First of all I raised the gain to the highest point which was (+20dB) and decreased the output level to -10db. I did this because this helped me to deal with the release time, which I slowly raised... I raised it to 16ms which was a good set point. It was neither too relaxed or too tight which was good. Afterwards I put the output level back to 0dB and started over with the gain, I raised the gain to +9.5dB.

Wednesday, 4 June 2014

EP evaluation

1. What is your EP called?
My EP is called Dreams. 

2.  What styles of music are on the EP?
Loads of Ambient types, I'm more familiar into doing ambient stuff, so this is why this is the main style of my EP

3. What genre would you categorise the EP as?  It can be more than one.
 Electronic/Experimental/Contemporary.

4. In terms of the style/artistic content - are you happy with the EP? Tell me about the strengths and weaknesses of your music.
The style that I am doing I am more than happy because it's my type of style. I like to do a lot of ambient type of stuff but I would add a lot of influences into one thing which makes it really unique at the end it turns into experimental except it has a song structure.

5. Musically - How well does your EP fit into the genre you work in? Compare your work to your favourite artists…
I personally think that Drake ( who is my favourite artist ) would be able to feature on to one of my tracks because it's kind of his type of style. He does a lot of contemporary type of stuff, a lot of his productions - instrumentals are very warm and calm., that's how my EP is going to turn out to be. Also one of my favourite producer's who produces for Drake who's named 40... I've put a lot of influences from him in my EP, so my EP is going to be warm/calm but very very unique.

6. In terms of technical standard (recording/mixdowns) - are you happy with the EP? Tell me about the strengths and weaknesses of your music.
I am not completely happy with my EP yet because it is not fully done yet.
The strengths of my EP is that one of the tracks is completely done, mixed and mastered, I also released it on my soundcloud and many people do like it as I got many good feedbacks about it.
The weaknesses of my EP is that some tracks / Instrumentals are not finished or they do not have vocals on to them.

7. Technically - How well does your EP fit into the genre? Compare your work to your favourite artists..
There's a lot of warmth coming from my EP, I would rather compare my work to my favourite producer which is 40. I've studied him a lot upon how he gets that warmth out of his sounds, especially when using Synth pads.

8. Did you collaborate with other musicians/artists on your EP?
Yes I have collaborated  6 artists. 3 Singer's and 2 rapper's. However I used 2 acapellas for 2 tracks, I didn't ask for permission for both. I got a reply with one artist I told him what I am going to do and what I'd do with it he gave me a thumbs up and wink. However I didn't get any reply from the other artist. 

9. Who did you work with in the studio? What roles did they fill? How did this help you complete your EP?
 I worked with an artist called Imani who is a singer, he is one of the singer's that is featuring on my EP.

10. What was the most important piece of equipment you used when making your EP? How did you use it? Why was this the most important?
One of the most important equipment I used was the midi keyboard, I used this because I needed to create the beats, I had to play in the chords and the melody also do the drum beat. Another important equipment I used was the Microphone (NT1A) I used and recorded with this microphone because It's a good condenser, this microphone was used for pre production.

11. Give me an example of a studio session that went really well. What was good about the session? Why?
A couple of weeks ago in the production room, the reason why it was good because we actually got some recording done which I was happy about, however there was a few minor things that was messing up with the recording, whenever we recorded something the audio file was delayed and whenever the artist wanted to himself there was a weird delay and reverb effect on the recording, so to resolve this 1. we had to go on to preferences on logic and then go on the recording tab, then reduce the recording delay. 2. To stop the delay/reverb effect we had to put the channel on mute then record.

12. What is your favourite track on your EP? Why is it your favourite?
 My favourite track on my EP is ' I don't believe in your stories' The reason why it is my favourite because it's ambient and it has a house influence into it. It's a nice chilled type of track, it's not too overhyped. This fits really well with the genre / style I am doing.

13. What are you going to do with your completed EP? Send to labels? Post online for free? What are your plans for the future?
I plan to do a huge launch on the internet so I can get many many people to advertise it on social sites such as Facebook/Twitter/Instagram and more, it's going to be a digital EP so it'd be on Datpiff, Mediafire and Band camp. Free download... However I am also planning to give out hard copies for free, the reason I am doing this for free is because this EP is mainly for promotional use. I haven't 100% decided yet.

14. What is the most important thing you have learnt when creating your EP?
 I have learnt that Artists are a complete waste of time this is because they take really long to either write lyrics, they're not serious about music like how I am so they're not really bothered about getting involved into my EP or they just don't show up to studio times.

15. What was your most recent music purchase?
All about she - I can't wait...

16. How much money do you spend on music every month?
 I don't really buy music as much...

17. How much money do you spend going to gigs/clubs?
I spend about £3 - 5 going to either launch parties or concerts.
18. How do you plan to make a career in the music industry? What are your future plans?

Sunday, 17 November 2013

EP plan

EP plan
My name is Steven Williams AKA StevieBbeatz, I am a musician. I play the piano, compose and I produce as well. My goal is to become a professional Producer, to work with artists with no worries however my main goal is to work with known artists and make some beautiful music. In the music industry I see myself as a professional producer working in a studio with a few singers / rappers and engineers to support me, I also see myself teaching kids about the technical side of music. 

The genre I mostly do is urban & ambience, I do a lot of Hip hop, rap and R&B on the other hand I can do more genres but these are my main ones. My genres fit well with me because they are what make who I am, I grew up listening to these genres. The ambience is one of the mains that fit with me because it describes my personality - I'm a calm person and ambience is about calmness. My influence 4040 got me into ambience as I love his work so much and I would like to work with him one day also to produce for drake as he is drakes main producer - friend.

 The content of my EP is going to be R&B and Rap, the reason why I chose this style of music is because I know the elements in urban music, I know how to make it, the chord progressions and so on. To add on I always listen to these type of genres on my phone and on the laptop so R&B/Rap is my speciality, it will be blendid with a bit of ambience to it... One of the examples that I am talking about when I say 'blendid with amhienfe' is Drake Pound cake. The production in that track is mixed really well, it's nice and calm also it's easy for rappers to rap over it. 

The people I plan to collaborate with: 3 singers (Baran, Danillo, 1 session player (Andre) 1 pianist (Lamar) 3 Rappers (Kieran, Naga, Chucks) These people will bring a great aspect to my project because I know that they have the skills and abilities to achieve the goal that I want, they will give me ideas to make wonderful music. I will hire a session player because I would be the writer of the music & i'd tell the session player what to play. I would probably need a bass session player so I can get that live bass. I don't think I would need a composer since I would be the one writing the chords but at some circumstance i probably would need one as the composer would have more knowledge upon composition than me. Composers and session players are very different, composers are the like writers too , they write the chords, melodies and more however for a session players they are the people you tell what to play. **AS COMPOSERS, OR SESSION PLAYERS?**  **WHY WILL YOU HIRE PROFESSIONAL MUSICIANS**

Firstly I plan to get the pianist, in a production room with me, we will discuss about what sound we want to make(rap or R&B), once we have made the sound, me and the pianist will decide who we want for our song if it was a singer and a rapper we would need to see who has the right voice for our sound. I will tell them what the track Is about, if I feel that I want some live bass into my track then I would bring the bass player into the studio to give us that live bass sound.

 In the studio there's different roles such as studio engineer, technician, engineer, instrumentalists, Layer and more. In the Music industry you need to pay people to mix your tracks & to master them. All of the roles that I just listed exist in the industry but they're not that known. I think that I would need a studio engineer to set up the instruments for the artists + instrumentalists and a engineer to mix and master my tracks (but in these terms I might not need one since I would be doing this job myself).


** MORE DETAIL FOPR EACH ITEM OF EQUIPMENT **

The equipment that I would need the most is the midi keyboard and Logic, this is because these are the main things that I would be using since I'd need to make the beats.

Midi Keyboard - A midi keyboard is a keyboard that transmit data to logic pro, it's the same as a normal keyboard except you can't play it live. This is the keyboard that helps me create my beats and sounds.

Another Equipment I would need is the Microphone (C414) one reason is it's a condenser microphone and it gives brilliant quality when recording with a rapper or a singer however it is quite sensitive... but I'd still need it. I wouldn't use a dynamic at this Case because the quality of a dynamic mic isn't that great in terms of studio recording, condenser mics are more better as they have that nice crispy - clean sound. Whereas a dynamic it's abit more flat.

The pop shield will also come in handy so that the plosives from rapper's doesn't damage the microphone..
Also I will be needing the Mic booth so that there wouldn't be so many reverberation when a singer/rapper is recording, it will absorb the sound towards the singer/rapper back at him/her.

To add on the stage box would be needed so I could plug the XLR cables into it so it can transmit data to the mixer and Logic.

I have 12 weeks to record my stuff, since I have free facilities at college and my old school that I can use... I would need to book the production room/studio at certain times, I would also need to book them often in college. So my schedule would be:
Monday - 11Am - 4/5Pm (At school Studio, working on the beats/Mixing/Mastering)
Tuesday - 11Am - 5/6pm (At school studio, working on the beats/Mixing/Mastering)
Wednesday - 1 Pm - 4-6 pm (At College Studio, working with an artist thinking of ideas, maybe with a pianist too for some extra ideas + recording)
Thursday - 11:15am - 12:30pm (At college studio recording with an artist)
Friday -  10:30 - 12pm - (At college studio recording *If finished recording, I would be mixing the vocals*)

Equipment costs:
sE Metal pop shield : £52.00
Mic Vocal booth Roughly: £60
C414 Microphone: £1,410.00
Microphone Stand: £15
Midi Keyboard: £80
Studio hire full day 10am - 7pm : £325
I would probably need about 30 Cd's to release which would cost about £30,
this is because I would mainly be releasing my EP online...
TOTAL COST: £1,415,62

but if my EP wasn't free it would be about £5 on Itunes/Bandcamp.
The promotion I would be doing myself, my group of collectives would be also helping me as well as my very known friends will help me promote.
In future I plan to release my finished product on my soundcloud, also on Itunes. I will be sending my EP online, to loads of artists to listen, also to my friends, maybe a couple of DJ's as well. My EP will be a free download as it being free will get a lot of exposure especially from the people that will definitely help me with the promotion. My product will be promoted on Twitter, Instagram, Facebook and so on. This will attract other artists to see more of my work - to get them to contact and work with me.

Deadline of this EP, before June.


Sound Design

                                                            Sound Deisgn

What is a Synthesizer?
A synthesizer is a instrument that creates a wide range of sounds, it's operated by a keyboard using different signals and frequencies of sounds. They can emulate a variety of sounds such as, a helicopter, a voice and much more. Synthesizer's isn't exactly natural sounds, they're more a frequency and a electronic sound. In Synthesizers there's different waves such as Sine, Triangle, Square and the saw wave.  Back in the 70's there was only one wave which was the Sine wave, it was the mot basic sine wave ever it had no control over pitch.

ADSR envelope
The ADSR stands for:
A- Attack
D- Decay
S - Sustain 
R - Release
It's a tool used to shape sounds. What the envelope does is it controls the impact and length of the sound, It opens and closes the sound. The ADSR has different roles to them which is:
A: The attack tells us how quickly the sounds want to be hit at a high amplitude, a short attack has a instant reaction, the slow attack has a slow reaction.
D: The Decay is the time taken subsequent attack level from designated sustain level.
S: The sustain is the duration of how long it will go on when a key is released
R: The release is how long it will take for it to decay from the sustain level 0

The wave forms and plug ins
Synthesized sounds are made from these basic sign waves: sine, square, triangle and saw. Back then they wasn't able to combined 2 wave only one. This is what the waves look like:

.
Between these 3 waves, the cleanest is the Sine, as there is no distortion, fuzzyness or anything. This wave sounds more polythonic than others. The triangle wave is almost the same as the sine except it there's a deeper bass in this waveform, as you can see on the diagram above^ the triangle picture almost matches the sine, it's just more sharper.
Comparing the Triangle and the saw tooth they both do not look the same but when it comes to sound they are about 60% the same. The Square sounds like it's combined with another sound, it's clean with harmonics and it has a higher pitch. The Sawtooth is the distorted sine wave, it has that fuzz-buzzy type of sound and it's low pitched compared to the other sine waves.
Nowadays we are able to combine more than 1 waveform to create a variety of different sounds by using software's such as Logic for example. We do this by using the ES2 Synthesizer we can also tweak the sound to create another sound. This is what it looks like:
This is the ES2 Synthesizer as you can see we can now manipulate synths using this. We can combine Waveforms to create new sounds, add distortion, change the key and many more. This is the main Synthesizer plug in where we can create our Synths, Synths like Pads, Leads, Basses or anything by just using this plug in. It may look complicated because of the different options there are but it's not as complicated as you think, as you can see there's different options/diagrams/areas each of these areas work as one. The most important area of them all is the one on the left and the middle. 


This is where the Sine, Triangle, Square and saw waveforms are located. This is how we can now combined more than one, where it says '1,2,3' that meas if we want to combine either 2 waves, 3 waves or just leave it at one wave. In the middle option where it says filter, we use this to tweak the waves around, we can add Resonance for high frequency fx, we can also add drive which makes the sound fuller
Another plug in we can also use for Synthesizer's is the EXS24 sampler. It has some features of the ES2, it's more of the easier version when using Synthesizers or tweaking Synthesized sounds. The features it has that relates to synth's is the cut off, drive, LFO, resonance, bandwidth and some other's. The features that it doesn't have is the 'Sine/Triangle/Saw/Square' option. In the middle section you can see it has 'cut off' ' the cut off is like an Envelope if you move that green line right and left contently then it would create an open and close type of sound. If you bring it all the way down to the left it would give you that warmth type of sound.

ES2 or EXS24?
Similarities: They both have the same features such as Resonance, Drive, Bandwidth, LFO option and so on. They can both tweak Synthesized presets, they can create a variety of sounds and manipulate them to create more interesting synths,
Differences: The EXS24 is more of a sampler than a Synthesizer, it doesn't have the Sine/Triangle/Square/Saw option, it doesn't have that much options to create the sounds you actually want and there's not enough presets.
The ES2 is not a sampler it's more a synthesizer, you can create any type of Synths, you can choose more than one waveform, change the key of it, add distortion and many more.
In my opinion I would choose the ES2 for making Synth sounds, this is because it's a Synth type of plug in. There's many options to choose from if you want to create different sounds such as the Envelope, cut off, LFO, pitch and many more. Although it looks complicated It's actually quite sophisticated and more intelligent than the EXS24 when it comes to Synthesizers.


Thursday, 6 December 2012

History of DJ Equipment

                                     THE HISTORY OF DJ EQUIPMENT!
A DJ AKA 'Disc Jokey' is a person who plays records of music in clubs, parties and so on. They tend to mix 2 songs together and make it clash.
There are a lot of techniques that can be used for DJ's such as scratching. Scratching is a Turntablist technique; that you move a disc back and forth to create your own sound.
In the history of the equipment there is many types of equipment, from old to new. Many Dj's have used loads of these equipments. Such as Turntables, Decks, Traktor (Digital), Vinyl, Platter's, Cross fader’s, Mixing Desk
 
Digital is data technology that uses values, by contrast. Non digital system represents information using a continuous function.
People nowadays use Date such as MP3, to download songs onto their IPod/Laptop this is because this type of data is easier to get than CD's also MP3's are cheaper, for example on iTunes a song is about 70p, whereas a single from a shop is about 3.99.
MP3 data is data that doesn't exist, mp3 is also a data conversion. Back in the days no one used mp3s because there wasn't any updated phones, computers /laptops or softwares to convert files into mp3. Digital is way better because you can get whatever the song you want, without having to go through many shops just for vinyl.

DJ mixers are used for, the EQs, cross faders and cue points. This us mainly used to bring in the next song, when another song is playing. The cross faders are used for the transition, by playing two songs together in unison or by moving the knob to either the left or the right.

Cross fader has two faders connected side by side but in opposite directions. This is useful for beat matching  two sources of audio. Cross fader’s main function is to gradually increase one part of the song and decrease the sound of the other one.






Traktor - This is a digital DJ software and type of equipment that some DJs use nowadays. MP3s are more compatible with traktor because it isn't a turntable type of equipment mainly data is used for this. You could use your phones to put music on to the laptop and then use it on the Traktor.
A traktor has 2 decks just like a turntable but they are smaller, it also has a mixer conjoined together with the traktor

Turntables and Vinyl

Turntablism is used to manipulate sounds together, and it’s used to create your own sound by using dub plates and a DJ mixer. Loads of Old school hip hop DJs have used this such as DJ Craze, grand wizard Theodore, grand master flash and so on. The word turntables were created by 'DJ, Babu. Turntablism was the big thing in hip hop in the early 70's as many DJs and producers would use this to mix their own sound together. Nowadays some DJs still use Turntablism such as DJ Craze. There are many DJ techniques that people use for Turntablism such as scratching, juggling, beat matching or mixing. '.
 




Vinyl also known as phonograph record, is a flat disc, which has a analogue type of sound on it.

 In the 1850's the phonautogtaph was invented by Leon Scott, he used a vibrating diaphragm and styles to record sound waves and movements to trace sheets.

In the late 1800's Thomas Edison invented the Phonograph, the Phonograph was capable of recording both and reproducing. The Phonograph was first tried on a Telephone as it was creating a telephone repeater.

These types of records were used back in the early 70's as well and the late 90's. These are the type of discs that DJs would struggle to get as it was quite hard to get them back in the day. Also DJs and producers would find it hard to cut their own record so that no DJ would have the same sound but they would also find it hard to get the song that's not released yet onto a vinyl.  Nowadays vinyl is still used but it’s mostly used for distribution as people use data that doesn't exist which is mp3, they also used CD's nowadays as well. Vinyl can be used for many DJ techniques such as beat matching, scratching and slip cueing.


David Rodigan
He is a British radio DJ and he has performed, DJ'ed and battled in the past. He is known for Reggae and Dancehall music the reason why he is known for Jamaican music is because when he DJ's this is what he mostly plays, also he has a passion for Jamaican music as he watched a Jamaican artist perform she was called 'Millie'. He did a DJ battle against another Jamaican DJ in Jamaica and he was one of the few British people to do it. David Rodigan has performed at the Notting Carnival as well. The type of Equipment he used back in the late 60's/70's/80's/90's was a lot of Vinyl and Turntables. David Rodigan had to do travelling quite a lot so that he could cut his Vinyl, so that no one has the record besides him... The place he had to travel the most was Birmingham and he had to pay a lot of money to do it. Back in these days Vinyl cost a lot of money and it cost a lot to cut it as well.
He used Turntables as well, although he didn't use it to do the scratching technique, his act of a DJ was different to the others. He would get a Mic and say some things to get the Crowd hyped up and then he'd played the music while he's talking/rapping on the Mic.
Nowadays David Rodigan doesn't use Vinyl anymore; he uses CD's, cross fader  and a DJ mixer. David Rodigan changed to Cd’s because, nowadays no one uses Vinyl anymore and it’s rare to find a vinyl shop.


DJ CRAZE
Dj Craze, is a professional DJ. He has the DMC world Dj champion. He’s from Miami, Florida. The type of genres he plays is Drum N Bass, Hip Hop, Dubstep and more. The equipment he uses is Turntables, MPC, Traktor, Headphones and a Laptop – on his Turntable it has a gold plate around it, this gold plate represents that he has been the DMC champion 3 times. Dj Craze is a different DJ compared to David Rodigan, David Rodigan is a entertainer as well but DJ Craze does the magic with his hands more. Back in the days he was known for “ America’s best DJ “, World DMC Champion and many more!



DJ techniques

  • Beat matching - This is a DJ technique which is to do with pitch shifting or time stretching. This is to do with time and tempo for example when beat matching 2 tracks the snares and kicks have to be in time, you'll need to know when to bring in the verse in time with the other song, once you've done that it means you just beat matched two songs. 'The technique was developed to keep people of the dance floor'   this means this technique is mostly used at clubs... or parties to stop people from dancing.

  • Scratching - The Scratching DJ technique is a Turntablism technique, this is used with Vinyl records to create manipulative and interesting sounds by moving it back and forth. Scratching is mostly used with Hip Hop because scratching was formerly developed during the Hip Hop times since the 70's. They're generally used for Hip Hop because for scratching you can make beat out of scratching using two records and you could make it your own style. Scratching is also used with the cross fader to make it more intriguing and to make it sound like it has a cutoff - when it cuts out in and out rapidly. (EQ). Mostly scratching is used for battling against other DJs (well it can be its optional). Nowadays scratching can also be used with Traktor pro. There's also scratching techniques such as:

-Baby scratch - The baby scratch is a method moving your hand back and forth, this is one of the easiest and most known method to use. Most amateur scratchers do this.

-          Forward and backward scratch - This scratch is like the baby scratch. The forward scratch is also known as “cutting” the reason why it's called this because the cross fader is used during the backwards movement of the track.’If the track is let go it’s called a ' release track '.

-          Tear scratch: This scratching technique is a technique where you're scratching the record in a staggered way, splitting the forward and backward movement into different parts. This allows creating sounds without using the cross fader, this also allows more rhythm to the pattern to make sound a bit more complex and difficult.

-          Beat Juggling - This technique is to manipulate two or more samples. This technique is used to create an original composition using s lot of turntables or more mixers. Beat juggling is slightly the same as beat matching except you have to create your own beat/composition using the records that you have, you have to use the vocal phrases or the drum kits. Beat juggling has its roots in cutting... this was first done by Kool DJ Herc and later used by Grandmaster Flash in the early 80's. Beat juggling has sub-DJ techniques called:

-          Tapping or walking: the way these techniques are used is that the DJ tape the in between the record and the percussion sounds stopping it to slow down the beat or pushing it faster to speed it up.

-          Shuffling or Strobing: Is when the DJ has two records and they loop the records at two different times, the DJ is remixing the record at live with different styles and formations.

Conclusion
In my conclusion, I think the best source to use between Vinyl or Mp3/Cd’s. Is to use MP3, this is because MP3 is more cheaper, you can make your playlist by just downloading either for free or by paying. If you’re paying it would only cost about 79p for a single on Itunes, however if you’re buying a vinyl it would cost over £10 for just a vinyl plate. For MP3’s you can find whatever song you like and just use it. I think that Digital is more better than Analogue because the equipments are more top- notch. Digital is more easier than analogue as well, using traktor is just like using a Turntable, just more impact.
The difference between Digital and Anlogue, is that Digital is more Data and Mp3 – more online stuff. On the other hand Analogue is more Vinyl and big turntables.